"SOLAH KALAA"

The sixteen powers, absolute perfection and fruitful rewards are obtained,
when the Lord of Infinite Power is revealed. The Lord's Name is Nanak's
bliss, he drinks in this Amrit of the Lord. ||16||2||9|| (aggs 1080).
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"Solah" means sixteen and "Kalaa" means potency or power. Combining both terms, "Solah Kalaa" means sixteen potencies or powers. These sixteen potencies are indicated to be as follows: (1) Gnosis, (2) Dhiyan or deliberation, contemplation, concentration etc., (3) pious deeds, (4) perseverance, (5) self-discipline, (6) faith, (7)charity, (8) education or Ilam, (9) meditation or Simran, (10) sublime love, (11) celibacy, (12) spirituality, (13) compassion, (14) pledge or vow, (15) discrimination or Bibek-Budhi, (16) pure intellect.

Now the question one may ask is, "Is God limited only to sixteen potencies or powers?" The Gurbani says no, because, according to the Gurmat, God's potencies are "Anat" (Infinite) or "Biant" (Limitless). As such His powers cannot be limited to sixteen or any other finite number. Therefore, "Solah Kalaa" appears to be just an expression to indicate absolute completeness or perfection. It's like saying "hundred percent", "Sau Fee Sadee", "Solah Aanay" (in old days Indian Rupee was equal to Solah Aanay. People from that era still use the expression "Solah Aanay" to indicate completeness of whatever they are talking about", and so on.

One (the Gurmukh) realizes these potencies in his ultimate spiritual evolution by becoming one with God. That is, not as an individual (Haume being) separate from God, but by linking or merging with Him. Certain powers like creation, destruction (Pralaya), preservation, revealing, concealing etc., seems as God keeps for Himself.

The moon also goes through sixteen phases. After attaining all the sixteen phases it attains fullness or completeness. The night it attains completeness is called "full moon night or Punaya". These sixteen phases of the moon are called (1) Amritaa, (2) Maanadaa, (3) Pooshaa, (4) Pushati, (5) Tushati, (6) Rati, (7) Dhariti, (8) Shashani, (9) Chandaricaa, (10) Kaanti, (11) Jayotasana, (12) Sri, (13) Preeti, (14) Angadaa, (15) Poorantaa, and (16) Pooranaamritaa.

There is the expression in the Vaars of Bhai Gurdaas, which goes like "moon enters the house of sun". With the rise of the sun, the moon fades away or the moon becomes veiled or dormant, leading to the moonless night (Amaavas). Similarly, when man's Pure Nature, Soul Consciousness, Intuitive Peace and Poise ("moon") enters the material nature of Maya ("sun"), the Soul Nature ("Joti-Svaroopa" or one's True Nature as Pure Consciousness) fades away and the illusion (Maya), egoism (Haume) or Bikaars (mind's negative propensities) become dominant. Moonless night is metaphor for our darkness of ignorance or falsehood (egoism). When our mind is overtaken by the darkness of egoism, the "moon" of Truth is not to be seen anywhere! But the moment the egoism begins to thin out, the "moon" of Truth begins to rise and gradually grows to it's fullness; bringing Divine Virtues like Peace, Contentment, Knowledge, Compassion, Inner Inquiry (Vichaar), etc.

Another expression used in the Gurbani and the Vaars of Bhai Gurdaas is "sun enters the house of moon". When the moon is out in its full glory, the sun is not to be seen. Similarly, if man's quality of passion and ignorance ("sun") enter into the quality of Goodness ("moon"), the qualities of passion and ignorance fade away and the quality of Goodness becomes dominant. After transcending egoism and all modes of material nature (Maya), one becomes established in inner Purity, Transcendental Consciousness, Sahaj Avasthaa (Turiya, Inner Peace, Intuitive Poise) or Soul Nature. As indicated in the Gurbani, the sun due to its hot nature is metaphor for the fiery ego or Raajas and Taamas Guna (passion and ignorance, respectively). Whereas the moon because of its cooling and soothing nature is metaphor for the mode of Goodness (Saatav Guna).

Also, the term "Sixteen" is found in the SGGS associsted with "Solah Singaar" — sixteen adoration. In addition, it's also found associated with "Solahe". These are the Shabads generally containing sixteen stanzas (for example, see SGGS page 1021, mwrU solhy mhlw 1).

— T. Singh


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